After nearly two hours of delay, attributed to alleged technical issues with the screens, María Becerra started the first of her two scheduled shows at the River Plate stadium on Friday night, almost at eleven o’clock. Thousands of fans, mostly young people and teenagers, gathered at the Monumental de Nuñez to watch the “Baby of Argentina,” as she is also known (among other nicknames she adds to her career), and they waited stoically. Ultimately, Becerra started off with a significant portion of the material from her two albums, Animal (2021) and La Nena de Argentina (2022), in addition to other hits that she recorded with both domestic and international musicians. Songs like “Perreo Furious,” “Has a while,” “Wow Wow” (the song she recorded with Becky G a few years ago), and “Inspiradora” were selected for the recital’s opening segment.
Start with a profile that is distinctly reggaeton after that. There will be subtleties that allow the singer to stray through her list of songs, which includes ballads, bachatas, “afro” touches, and the most rock-oriented pulse. She recently released a bachata called “This is life,” which she co-wrote with Enrique Iglesias and is featured in this performance. Like many international productions, this Becerra production—which is rapidly taking the form of a concert tour—aims to present each song as a stand-alone number with a staging that reflects the unique qualities of each song, going above and beyond the idea of enhancing the show with special guests for every night.
These Rivers by María Becerra were intended to be mini-festivals rather than just recitals. Other artists were invited to do the preview so that people could come early. The stadium was nearly full by 8 of the clock at night. Despite the fact that the singer primarily draws in young adults and teenagers, many parents were seen with their kids. At four in the afternoon, Margarita and her eleven-year-old daughter Violeta had arrived at Concordia. It was a girls’ weekend, so we came. We lingered through Sunday. We came with Violeta’s friend and another mother, but they were taller and approached the stage more closely,” she remarked. She also admitted that they had preferred to have traveled from Entre Rios a few weeks prior to Luis Miguel’s performance. Margarita added, “But we also like María; she seems to us very cool and very polenta.”
Violeta was waiting for a chorus that Becerra had shared from his WhatsApp channel while she went over the songs she wanted to hear during the recital.
Behind them are Matías (46) and his daughter Isabella (10), anticipating the big show. “It is the first recital I have ever seen with her and the third I have ever seen in my life,” the father exclaimed. We discovered that we could attend today at 5 p.m. after receiving the tickets in person. “We left here after I picked her up from school.”
The audience was mostly made up of twentysomething friend groups. The tickets were purchased by Antonella and Luciana as soon as they became available. They admit that their fan base is smaller than that of many around them (“There are some who came to stand in line at 2 in the morning”). But, equally, they had great expectations for what they were going to hear. “I know it’s going to be a very good show,” Luciana predicted. “He has to give everything, because he is a river.”
The Friday and Saturday performance (for those without tickets, it will air on Flow channel 605 beginning at 9 p.m.) serves as the perfect venue for María to launch her new phase of work distribution.
On the one hand, he has a solid record of working with musicians from both Argentina and other countries. His songs have seen significant growth on digital music platforms since 2019. Unusual information appears in Spotify data. Fans of Becerra listen to twice as many songs on the platform as the average fan base. Users listen to about six songs a week in Argentina and about four songs a week globally. The hard data confirms its expansion. In 2020, streams grew by 1,330%. This includes nations that are distant from Argentina, the country where it received over a million views. It grew between 80% and 100% in Turkey and India and between 20% and 50% in Poland and Japan, among other countries. Furthermore, in Spain, it had a noteworthy growth rate of over 50%. And that is exactly what Argentinean La Nena wants to achieve.
But it will be difficult to slake his thirst for fame, on the other hand. At the press conference he gave about these shows in River the day before yesterday, he made reference to this, saying, “After stepping on the court, I am in a moment of extreme happiness.” I can relate to Duki’s question to himself, “After this, what comes next?” It inspires me to keep fighting so that I can one day arrive at the Azteca in Mexico or a stadium in Spain. “I am very small; thank God I have vitality, energy, and health, but there is still a long way to go.” She also promised me that when she traveled to the United States and had to perform for 400 people, she would not misplace her rings. She said, “I am not that famous!” to finish.
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He also discussed his increasing success in the context of our nation’s social and political circumstances during the conference. “I am aware of what is going on, and I feel free to voice my opinions about it. Numerous minorities and individuals who feel unheard are facing utterly unjust circumstances. It seems cool to have one of those big voices, so to speak, supporting it from the sidelines. In situations where I witness injustice and have the ability to assist, contribute, educate, or draw attention to it, I believe it is the right thing to do. The onus has always been on me. I understand what it is like to have your home flood, to have malfunctioning sewers, and to be unable to afford the toy of your choice.” I have also been sent to a number of castings and experienced the feeling of being ignored.” He continued, saying, “I think it is cool that this show happens and that people have a good time.” The tickets were gifts for birthdays in a few cases. I have done the research on ticket purchases. I am very grateful that the country is going through a difficult moment. He declared, “Everything they invested in this entry is going to be worth it,” and he spent slightly more than two hours “on the field” proving it.
He also discussed the rapid rise in his career over the previous five years. At the journalists’ request, she practiced a reflection on the subject, putting herself in the shoes of the young María de Los Angeles, who lived in the town and Quilmes, as if she were traveling back in time: “I think that little María would admire many things.” She was someone entirely different, racked with insecurities and fears. She had no idea how to set boundaries. She had no idea how to earn respect for herself. She needed to be fixed for her numerous flaws. I am a totally different person now. I believe she would be pleased with the person I turned into. I know how to set boundaries, I respect myself, and I enjoy what I do without feeling guilty about it. That used to kill me.”
There should be more information provided about the histories of these two shows. These recitals were billed weeks in advance as the first solo shows by an Argentine singer at the River Plate Stadium. With yet another recent accolade, empowered, Becerra reached this point where soccer is becoming more and more compatible with music.
She was awarded the Billboard Women in Music Global Force distinction in the middle of this month, along with six other winners. “Billboard media around the world have carefully selected these honorees—Karol G, Kylie Minogue, and Young Miko, among others—recognizing their innovative contributions as singers, songwriters, musicians, and producers,” the Billboard Women in Music Awards production states. María Becerra’s selection as Argentina’s representative showcases her extraordinary talent and impact on the international scene. “It celebrates her incredible musical abilities and her ability to seamlessly combine different styles into a unique sound,” the spokesperson said.
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